Yesterday I had the opportunity to watch the opera Dead Man Walking performed at the Meteopolitan Opera House in New York.

The story and witness of Sister Helen Prejean is familiar to me. I have read her memoir and of course saw the movie. On a personal note, when I was sharing my surprising news of becoming a Catholic Sister, she was a helpful reference point. More than once I found myself saying, “Think more Susan Sarandon in Dead Man Walking than Sally Field in Flying Nun,” especially to my non-Catholic friends.

I have also met Sister Helen, several years ago, when she spoke at an event for one of our CSJP sponsored ministries and I have heard her talk several times. I was delighted to discover that the Opera does justice to her sense of humor. I have long thought that her sense of humor must be part of what keeps her going in her ministry as an advocate to stop the death penalty.

Yesterday afternoon, absorbed in the Opera, I also saw depicted what I also suspect is part of what keeps her going … being part of a community.

From the very beginning of the Opera, she is supported and challenged by her religious sisters, from her decision to visit an inmate on death row she has been writing all the way through the heartache of accompanying him to his final breath. There is one scene at the beginning of Act II, pictured above, where one of her sisters hears Helen cry out in a nightmare and comes to check on her. Their duet is lovely and real and grounded in the charism of the Sisters of St Joseph of Medaille to serve the dear neighbor. Sister Rose neighbors her friend Helen. More than that, she shares the journey with her sister and friend in a very real way.

You can feel as Sister Helen takes the next heart breaking steps of the journey with Joseph, the man on death row, that she brings the strength from her community with her. She builds a relationship with Joe, as she calls him. She neighbors him.

We have a saying in our community, where one of us ministers, we are all there. This depiction of Sister Helen’s story, the combination of the beautiful music and the creative if stark staging and incredible performances somehow made this clear. Even when it was only Sister Helen on stage with the warden or the priest or Joe, or with the victims’ parents, I could sense her sense that she was not alone. God was with her, and so were her sisters.

To be honest, despite the costume choice (all the sisters were wearing the same drab gray dress rather than the clothes of the day Sister Helen and the CSJs actually wear), the opera was one of the best expressions of apostolic religious life lived in community I have ever seen in art.